In a galaxy far, far away, it has been compared to a Christmas turkey, stuffed full of bile. But it still looks certain to be a box-office sensation.
The Rise of Skywalker was meant to provide a satisfying conclusion to nine Star Wars franchise but for many critics, its aim was as wide of the mark as a stormtrooper in a blaster battle.
Director J J Abrams’s return to the space saga has been slammed as unoriginal and slavishly pandering to the rabid core fanbase.
It has a score of 59% from around 200 critics on movies website Rotten Tomatoes – the worst of any live-action Star Wars episode since the panned prequel The Phantom Menace two decades ago.
The Los Angeles Times called it “an epic failure of nerve” with a “succession of cheap ‘gotcha!’ twists.”
“In its anxiety not to offend, it comes off more like fan fiction than the creation of actual professional filmmakers,” Time magazine said
For The Hollywood Reporter, the movie’s “more-is-more approach ultimately leaves one both bloated from too many courses and uncertain about some of the ingredients.”
Many reviewers have compared it unfavorably to the previous installment, The Last Jedi (2017), now widely seen as a more experimental Star Wars film which critics enjoyed but which enraged a vocal minority of hardcore fans.
A few reviewers, honoring the balance that is a central tenet of the Jedi Order, pushed back with their own glowing appreciations, however.
Variety called it the “most elegant, emotionally rounded, and gratifying Star Wars adventure” since the 1980s The Empire Strikes Back, while the Daily Telegraph in London said the film “gives our heroes the swashbuckling, heart-rending ending they deserve.”
A three-star write-up in British newspaper The Guardian noted that the “vast, hulking Star Destroyer of a franchise has become too cumbersome to pull off any genuinely nimble maneuvers, but at the same time, it never falls out of the sky.”
Indiewire declared it “spectacular and uninspired at once.”
The much-hyped film has been tipped by analysts to take between US$200-to $225 million at the box offices in the United States this weekend, which would place it among the biggest openings in movie history.
“A massive opening weekend is in the cards irrespective of reviews or audience sentiment,” Paul Dergarabedian, a senior media analyst at Comscore, said.
Positive reviews are a “bonus” but the “true test” will come when the first fans get to see the film and form their own opinions, he added.
“The long term prospects will depend on solid word of mouth propelling the film to greater and greater heights worldwide week after week,” Dergarabedian said.
Hollywood’s iconic El Capitan theater, which is hosting a sold-out, back-to-back Star Wars marathon of all nine films culminating in the new release, said the reviews were not expected to dampen sky-high demand.
“Not really … it really is a love letter to the fans and the people who have stuck in there for these 40-some odd years to be able to see this film,” James Wood, the Disney-owned theater’s director of special events and production, said.
The Rise of Skywalker also had the longest list of people requesting to be notified when tickets went on sale of any movie in a blockbuster-filled year, Wood pointed out.
The film has already opened in several markets, including China, France and Germany, ahead of its arrival in US theaters on Friday.
French fan club Planete Star Wars leapt to the film’s defense following its release there.
“The task was far from easy and satisfying every fan would be impossible anyway,” it said. “In any case, J J Abrams worked hard to give us the best possible conclusion to the saga and who knows … reunite the community?”
The New York Times had a less charitable view, declaring director Abrams “the most consistent B student in modern popular culture.”
“[The film] is one of the best [in the franchise]… Also one of the worst,” it concluded. “Perfectly middling. It all amounts to the same thing.”