A still from Indian wrestling hit Dangal.
A still from Indian wrestling hit Dangal.

They might have set out to save the universe and conquer the planet, but Guardians of the Galaxy Vol 2 didn’t have everything their own way this week. The Marvel blockbuster topped the charts in both China (current tally: US$51.3 million) and South Korea (current tally: US$13.8 million), but it was the runners-up that made the big news.

The eye-opener at the Chinese box office this past weekend was the arrival of the Aamir Khan vehicle, Dangal, in the No 2 spot. Released in India in late December, the story of a wrestler whose two daughters grow up to be wrestling champions became the biggest Indian film ever in early 2017. It has been a long road to China, but the weekend take of US$11.2 million was worth the wait.

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Pundits have suggested the Hindi superstar’s appearance at April’s Beijing International Film Festival helped give Dangal a significant lift. But it’s worth noting that Khan’s previous film, P.K., also opened in China in the No 2 slot, in May 2015, when it also opened the same week as another hyped-up Marvel event picture, Avengers: Age of Ultron.

Khan may well hope his next Chinese release comes when there is no Marvel movie in sight (will there ever be such a time?), but the producers of Baahubali 2: The Conclusion have been bolstered by Dangal’s success. Shobu Yarlagadda, producer of S.S. Rajamouli’s film – which is wowing the subcontinent and breaking Dangal’s records – announced on Monday that a Mandarin dubbing of Baahubli 2 is his first priority, with Japanese and Korean dubbed versions to quickly follow.

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Following Dangal in China is Herman Yau’s bomb disposal blockbuster, Shock Wave. The Andy Lau vehicle picked up US$6.4 million over the weekend to reach its tally of US$49.1 million. Further down the line in fourth place, The Fate of the Furious picked up US$4.2 million over the weekend (total US$384 million), keeping an edge over Leste Chen’s hi-tech murder mystery, Battle of Memories, which took US$3.8 million over the weekend to reach its total of US$38.3 million.

Despite the aforementioned haul of US$13.1 million, Guardians of the Galaxy Vol 2 encountered serious competition in South Korea as well. The Marvel flag-bearer started early with previews last Tuesday and began the weekend on a strong note, but the Busan-set crime comedy The Sheriff in Town out-gunned the intergalactic superheroes on Saturday and Sunday to pull in a total gross of US$10 million.

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Friday night also saw ticket sales for The Boss Baby spike (total US$8.5 million) before it fell in behind The Sheriff and Guardians for the rest of the weekend. Since then, the DreamWorks animation has held third place, blocking comical Chosun-era murder mystery The King’s Case Note, which ran at a steady fourth all weekend and is now on a cumulative total of US$10.4 million.

Things remained stable in Japan throughout the rest of the Golden Week holidays. Beauty and the Beast held on to the top spot for the third week in a row, contributing US$7.9 million to its total of US$59.5 million. Likewise, Detective Conan: The Crimson Love Letter is still on the case in second spot for the third week in a row, with a cumulative tally of US$47.9 million. The Fate of the Furious (known in Japan as Wild Speed: Ice Break) held third place for the second week running with a cumulative tally of US$22.4 million.

Nothing changed in the Japanese top 10 until fourth place. With veteran journeyman director Furuhata Yasuo (Railroad Man) at the helm, Tsuioku, a suspenseful story of a murder that reunites three childhood friends – one as a victim, one as a suspect and one as a detective – took in US$2 million. Distributor Toho predicts that business from the older generation will improve for Tsuioku now that the holiday period is over.

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