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Opera’s universal language knows no boundaries

When Dou Qianming burst on to the stage for his performance in the Accademia del Maggio Musicale Fiorentino’s recent recital in Hong Kong, the baritone sang not in his native Chinese, but instead had transformed himself into Figaro, the male lead from the Rossini classic, The Barber of Seville. Dou was joined by four other […]